[8:26 AM
|
]
"Weapons Destruction" is taken from Warm Digits' album, "Keep Warm... with the Warm Digits", released September 2011 on Distraction Records.
[7:16 AM
|
]
Suburbia numbs the mind, and rears death within us. I have injected LGFUAD with the eerie discomfort I find within myself, stemming from the obsession I have with the relentlessness and tension that pulses through suburban youth.
It is a possession by certain intensities that manifest themselves within the body somewhere between extreme emotion and a complete lack thereof: void. Outlets for these intensities:1. sexual exploits 2. drugs and alcohol 3. violence 4. x-treme sports.
The technique with which I've created the film alludes much to my youth. The act of drawing with crayons and allowing the pigments to dictate the forms is very raw and ritual. I have also realized the potential of the computer age I have grown up into, and have blended these two worlds to create something personal, while still fresh and contemporary.
Through the narrative I have created my own memory for someone: for myself. It is an everlasting limbo where death has no meaning . A static space where the symbols that incarnate our childhoods and the fiendishness of the macabre void we find ourselves constantly moving towards coalesce.This film is a desperate attempt to relive my own past in a different body, and with a different mind.LGFUAD :: let's get fucked up and die.
Kelsey Stark
[3:00 AM
|
]
American Juggalo is a look at the often mocked and misunderstood subculture of Juggalos, hardcore Insane Clown Posse fans who meet once a year for four days at The Gathering of the Juggalos.
We went to The Gathering of the Juggalos and let the Juggalos speak their minds.veryapeproductions.com
[2:00 AM
|
]
Australian-born Illustrator Henry Clive (b. 1881-d. 1960) settled in Los Angeles in the 1920's, quickly gaining recognition for his luxurious paintings of Ziegfeld Girls and Hollywood starlets. His sensuous pastel works are incredibly rare and highly prized by art collectors around the world.
via: juxtapoz